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Ideal Urban Futures  Competition

Artist : Dada Nifemi Emmanuel
Age : 26
Gender: Male
Country : Nigeria

This piece of art richly captures the main theme of Addressing the effects of climate change. This process requires a multifaceted approach. As conveyed through this piece depicting how healthy flow of water and nature from the vision gadget into her present reality, the present reality in this piece is feeling the adverse effect of climate change already in the dryness of the soil leaving it unfit for crops and plants. Which will definitely lead a greater effect of starvation and hunger, globally This outpour of nature represent sustainable practices, transitioning to nature friendly policy that ensuring the revival of natural advancing environmental policies and regulations encourages industries to adopt eco-friendly practices. The woman depicted in this piece serves as a representative of the first teacher of a nation, they represent public awareness campaigns, which are pivotal in promoting responsible consumption and reducing waste. Preservation of wild life's as represented by the animals characters in this piece International collaboration is crucial to combat the global nature of climate change. Nations working together to set and achieve ambitious emissions reduction targets. The woman consistency was vividly captured as she continues to invest in more enlightenment and burning the midnight candle to ensure this current limitations are no longer Relevant in providing solutions,. This captures the concept of Investing in climate resilience measures, such as improved infrastructure and early warning systems, helps communities adapt to changing climatic conditions. Education and empowerment empower individuals to make environmentally conscious choices, fostering a collective commitment to a sustainable future. By combining technological innovation, policy reforms, and grassroots initiatives, we can effectively address the effects of climate change and create a resilient, environmentally sustainable world.

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